In Italy there were masters who worked in the area of the expressionism and in opposition to the official culture, finding the support of intellectuals and refined collectors.
Since 1926, in Turin, the town that more of the others lived the cultural activity against the Fascism, the group of the six was present. Among the protagonists the painters Francesco Menzio, Enrico Paolucci, Carlo Levi and, more isolated, Piero Martina. Theirs works (rooms XIII and XV) show an intimist representation, neo-impressionist and contrary to every monumentalism; a choice strongly hostile to the regime.
The experience grew stronger in the following years with the new group of Corrente, reunited in Milan around the magazine of youth life «Corrente» launched by Ernesto Treccani in 1938 and closed by the Fascist regime in 1940. Their artistic movement found with great difficulty the support of the Gallerie «La Bottega di Corrente» and «Il Milione di Milano» and among the estimators they boasted Alberto Della Ragione, who bought the «Bottega di Corrente», changing the name in «La Spiga»; he also continued the promotion of the group and the collection the work. The painters Treccani, Renato Birolli, Renato Guttuso, Bruno Cassinari, Ennio Morlotti, Giuseppe Migneco, Aligi Sassu, Giuseppe Santomaso, Fiorenzo Tomea, Italo Valenti and Emilio Vedova, and the sculptors Giacomo Manzù, Luigi Broggini and the more isolated, Lucio Fontana, refused the archaism and the classicism of Novecento, as the exclusive intellectualism of the avant-garde. Their research was concentrated on the ethically engaged subjects which they gathered from a realism deformed by the language of the expressionism, and this allowed them to declare all their disagreements. The works of Van Gogh, Ensor, Munch, Kokoschka, Kierchner, Guernica di Picasso (1937), became new models, considered symbols of the tragic nature of the contemporary event.
The two work, besides, remind of the protection of the two, who gave hospitality to the artist during the second world war , when she left Rome to escape to the racial persecutions.The experience of the group of via Cavour involved other artists: Guttuso, Mirko Basaldella (room IV), Corrado Cagli (room I), Roberto Melli (room V), Gabriele Mucchi (room XIII) and the wife Genni Wiegman (room IV).
Paola Cammeo
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